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sanzida aktar
Jul 16, 2022
In Welcome to the Forum
The senior designer friend who once won the Golden Horse Best Modeling Award highly recommends it after reading "Southern Witch". After listening to his long series of brilliant descriptions and excited compliments, he made a summary - the world you see in this film is not "made up", it is originally there, created by the creator. After "selection", it is displayed. Golden Horse Five Seven , in addition to the award-winning films, "Southern Witch" firmly relied on the priority viewing of the outside competition, and the warm applause after the premiere. . Local filmmakers were still hesitant to wait and see, not knowing how to "make" this film, whether to treat it as an "artistic film" for a small sale, or to highlight its magical characteristics of "Southeast Asian head-turning", hesitantly, The word-of-mouth of "Southern Witch" has been surgin. "Nanwu" is a work that is extremely rich in cultural depth and extremely simple in the presentation of the finished product. Director Zhang Jian wrote childhood memories into a script. The story is direct and simple. It is a journey of a wife and photo background removing a husband. What makes it rich are the details in the film. These details, intertwined, embellished, fused, or decorated, achieve the artistic presentation of what my friend calls "after selection". Inside the camera, the taste of life flows between the bounThe senior designer friend who once won the Golden Horse Best Modeling Award highly recommends it after reading "Southern Witch". After listening to his long series of brilliant descriptions and excited compliments, he made a summary - the world you see in this film is not "made up", it is originally there, created by the creator. After "selection", it is displayed. Golden Horse Five Seven , in addition to the award-winning films, "Southern Witch" firmly relied on the priority viewing of the outside competition, and the warm applause after the premiere. Local filmmakers were still hesitant to wait and see, not knowing how to "make" this film, whether to treat it as an "artistic film" for a small sale, or to highlight its magical characteristics of "Southeast Asian head-turning", hesitantly, The word-of-mouth of "Southern Witch" has been surging. "Nanwu" is a work that is extremely rich in cultural depth and extremely simple in the presentation of the finished product. Director Zhang Jian wrote childhood memories into a script. The story is direct and simple. It is a journey of a wife and a husband. What makes it rich are the details in the film. These details, intertwined, embellished, fused, or decorated, achieve the artistic presentation of what my friend calls "after selection". Inside the camera, the taste of life flows between the boundaries between man and witch, ghost and god, territory and territory. In the tropical forest, the pace of life, which is unique to Southeast Asian society, slowly unfolds. At first glance, the rhythm may feel too slow, but the energy of life emerges here, and it becomes an attraction that entices us to continue watching, continue to "hunt for novelties", and then continue to appreciate it. This charming charm makes
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sanzida aktar
Jul 16, 2022
In Welcome to the Forum
For Hou Hsiao-hsien's memory, it seems to stay forever in "The Man from the Wind Cabinet". It was a very distant era, Kaohsiung was the third largest port in the world, and the whole of Taiwan was ready to go; boys still had to be soldiers, and... wait for soldiers. A group of Penghu teenagers who did not go to university. Bored waiting for the list of soldiers, fighting and making trouble all day, sneaking into the theater to watch movies, and finally deciding to go to Kaohsiung for a working adventure; also entered the growing life from the Garden of Eden. A long time ago, there was a generation of "college students don't watch Chinese movies", and the movies of the "People from the Wind photo background removing Cabinet" generation were like miracles. Why not watch national movies? Because it is unrealistic, fake, and fundamentally fantastic; we can't imagine seeing the real, our own life in movies; and an aesthetic that has never been seen in Taiwanese movies. Perhaps Hou Hsiao-hsien's early films were all due to his casual intuition, but he did educate an entire generation of moviegoers. "The Man from the Windbox" is said to be bad at the box office. It took me a while to see this movie, and I fell in love with it madly. When I participated in a drama competition in college, I had to project the stills of some boys playing tricks on the beach onto the stage, and I had to steal the dialogue from the film and read it on the stage, but it had nothing to do with it at all. I remember that a famous person used to describe this film as "the unpredictable sadness and tragicness of youthful life". I couldn't help myself from these words. Years later, when I wrote Zheng Youjie's article "They Exploded the Day Before Graduation", I just put this The sentence is concave to be the title. (Memory can be deceiving, or maybe these words are just my own thoughts.)
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